Recordings

Earth Tones Recording

Power of Ten released their first CD Earth Tones in November of 2011 to favorable reviews from All About Jazz and the Philadelphia Inquirer and the Jazz Blog Watch in the UK and syndicated in many languages throughout Europe. Here is what the critics have said about Rick Lawn’s Power of Ten10 – Earth Tones:

All About Jazz highlights – “The most striking and pleasurable aspects of Lawn’s arrangements are the beautiful sonorities he creates by combining instruments with different colorations…. The overall sound is a stone’s throw from Maria Schneider’s big band arrangements. The orchestrations are cinematic…”

“Lawn has put together a set of tunes and arrangements in the mainstream post-bop idiom that are consistently listenable with a touch of humor… And the felicitous addition of trumpet master George Rabbai makes this an album to be savored and remembered.”

Jazz Inside Magazine – ” The pride of the Philly jazz scene can be found right here through the “power” of these 1o stellar tracks, essentially penned and arranged by Lawn himself. The pride of the Philly jazz scene can be found right here through the “power” of these ten stellar tracks, essentially penned and arranged by Lawn himself. It’s a nice cross section of modern bop oriented material that puts the spotlight on the big band as a collective instrument in and of itself.It’s a nice cross-section of modern bob oriented material that puts the spotlight on the big band as a collective instrument in and of itself. … Rick Lawn is bringing a classic big band sound into the 21st Century with pristine production values, stellar playing and soul stirring arrangements. “

Philadelphia Inquirer review highlights – “…self-produced recording is a clean, transparent effort that invites more people in the jazz tent. …the set maintains a strong mainstream jazz focus… Much of it exudes a clean aesthetic a la Gil Evans, whose influence can be heard…”

Jazzblogwatch in UK: A recommendation of the highest order. A classy new release from the man behind the ultra rare “Compass Rises” private press on schoolhouse records, Ohio. These guys should be supported and heard. Drop by Rick’s place and find out more … (blog entry now picked up in several other countries in multiple languages)

MediaGuide’s Jazz Week charted Earth Tones for many weeks this past winter and spring with consistent radio play across the US by stations from California to the East Coast including 17 states. Public Radio International’s syndicated NPR program “Jazz After Hours” featured Earth Tones on its playlist as did many NPR affiliates.

Earth Tones features an eclectic collection of original compositions by the band’s leader Rick Lawn, and his reinventions of classic compositions by Carole King (Tapestry), the Beatles (With a Little Help…& Norwegian Wood), French classical composer Paule Maurice and legendary jazz bassist Paul Chambers.

All the members of Power of Ten are on faculty at the School of Music at the University of the Arts in Philadelphia. The band is therefore very committed to music education and frequently offers clinics, workshops and master classes.

And here is what some noted jazz educators are saying about the band and their recording:

I can’t tell you how much I’m enjoying your CD! Wonderful writing and playing. A rare recording that rewards repeated listening. This is the kind of record that people will tell their friends about and create a cult following. An inspiring album!!!
Dave Morgan, Director of Jazz Studies @Youngstown State, composer and bassist with Cleveland Jazz Orchestra

I finally had a long enough drive to listen to your CD straight through. Wow – it’s a great bit of work! Great charts, great playing, great recording. It’s a fabulous product!
Jeff Benedict, LA Saxophonist and educator at CAL State LA.

I’m enjoying your new CD and thanks for sending it to me. Great players and great charts—very skillfully written and played.
Ray Ricker, senior associate dean, noted jazz author/saxophonist @ Eastman School of Music@TundraEnterprise.com

Sweet Basil rehearsed last night and as usual, playing my horn with the band I have now with your charts, is life extending. Keep writing.
Ernie Bastine, retired university trumpet and jazz professor now runs 10 piece band.

Congratulations on a great CD!  The whole recording is very impressive from the very creative charts to the performances by the band.  I have to say it is one of the most enjoyable big band CDs I’ve listened to in a long time.  I had not yet read the notes when I was listening to “Sigh of the Soul” and it blew me away!  Bravo to you for the whole CD! -Roger Greemberg, Professor Emeritus, University of Northern Colorado and Saxophone Specialist with Eastman Music Company

Radio Play

We are grateful to the following stations coast to coast who have been airing tracks from Earth Tones  for months since its release:

KKJZ – Long Beach, CA

WSHA – Raleigh, NC

WVIA – Scranton, PA

WRTI – Philadelphia, PA

KIOS – Omaha, NE

KSDS – San Diego, CA

WVTF – Virginia Tech

WUCF -University of Central Florida

WWUH – CT

KPLU – Seattle, WA

KUNC – University of Northern Colorado

KUER – University of Utah

WESM – University of Maryland

KZYX – Mendocino, CA

WSCA – New Hampshire

Jim Wilke’s Jazz After Hours syndicated by Public Radio International aired by many stations such as KBIA, WAMC and others.

 

Thanks and apologizes to others who we may have left out and are unaware of!!

 

Get your FREE download track

Preview Tracks

1. Play Demo of NEVER TOO LATE Never Too Late

2. Play Demo of SIGH OF THE SOUL Sigh of the Soul

3. Play Demo of HOPSCOTCH Hopscotch

4. Play Demo of Quiet Please! Quiet Please!

5. Play Demo of TAPESTRY Tapestry

6. Play Demo of EASE IT Ease It

7. Play Demo of WITH A LITTLE HELP With a Little Help

8. Play Demo of RETROSPECT Retrospect

9. Play Demo of NO REGRETS No Regrets

10. Play Demo of EARTH TONES Earth Tones


Rick Lawn1. Never Too Late minus piano $3

 

Play Demo of NEVER TOO LATE minus piano Never Too Late
2. Never Too Late minus bass $3
Play Demo of NEVER TOO LATE minuus bass Never Too Late
3. Never Too Late minus drums $3
Play Demo of NEVER TOO LATE minus drums Never Too Late
4. Never Too Late minus solos for C Treble Clef $3

5. Never Too Late minus solos for C Bass Clef $3

6. Never Too Late minus solos for Bb Instruments $3

7. Never Too Late minus solos for Eb Instruments $3
Play Demo of NEVER TOO LATE minus solos Never Too Late

If you’d like to try one of the above before buying the set see below. Convinced this will help you improve? If so you can purchase nearly all the tracks from the CD below from my store.

Buy all tracks minus solos for $8

 

 

 

Buy all tracks minus drums for $8

 

 

 

Buy all tracks minus piano for $8 

 

 

Buy all tracks minus bass for $8

 

Power of Ten

Power of Ten is a unique little big band comprised of Philadelphia’s most in demand, first call musicians, who also teach at the University of the Arts School of Music. They released their first CD Earth Tones  in 2011 to favorable reviews from All About Jazz, Jazz Inside Magazine, and The Philadelphia Inquirer. The band performs semi-regularly at Chris’ Jazz Cafe  in Philly and has presented concerts at The Philadelphia Museum of the Art, The Barnes Museum, Ursinus College where they performed with Randy Brecker, and at the Jazz Education Network Conference in Louisville, KY.

 

The TEN (sometimes 11) That Comprise THE POWER of Ten10

 

PERSONNEL

 

Ron Kerber (alto & soprano sax and flute) is one of Philadelphia’s first call musicians, with a career that has crossed genres and styles. He was formerly saxophonist, composer and producer for Blue Note recording artists “Pieces of a Dream”. He has also recorded with Jimmy Bruno, Phil Woods, Gerald Veasley, Jim Ridl, Melody Gardot, Patti LaBelle, Vanessa Williams, Lou Rawls and Teddy Pendergrass among others. He has toured with Burt Bacharach, Rod Stewart and Diana Ross and performed with Elton John, Joni Mitchell, Herbie Hancock, Ben Folds, Natalie Cole, Elvis Costello, Tony Bennett, Lang Lang, Manhattan Transfer, Randy Brecker, Michael Buble, Jane Monheit, New York Voices, Kurt Elling, Aretha Franklin, The Temptations and Johnny Mathis to name a few. Ron has performed with The Philadelphia Orchestra, The Opera Company of Philadelphia and The Pennsylvania Ballet Orchestra, The Chamber Orchestra of Philadelphia, and The Royal Ballet. He is a member of Peter Nero and the Philly Pops, and has played in the orchestras of the Forrest, Walnut Street, Prince and Merriam Theaters. Ron’s most recent CD is available at www.dreamboxmedia.com. Ron is a D’Addario Woodwind Artist.

 

 

 

 

 

 

Chris Farr (tenor & soprano sax) received his Master’s Degree from the University of the Arts in 1995, where he is now the Chair of the Saxophone Department. Currently, he can found playing on the Philly jazz scene as well as nationally and internationally. Over the past years Chris has recorded, toured and/or performed with Maynard Ferguson, Randy Brecker, Dennis Chambers, Stanley Clarke, Brian Bromberg, Diane Schuur, Jill Scott, Teddy Pendergrass, Mary J. Blige, Wyclef Jean, Jill Scott, The Roots, Carl Thomas, Jaheim, Terell Stafford, John Swana, Joe Magnarelli, Jimmy Bruno, Lou Rawls, Larry Carlton, Joey DeFrancesco, “Papa” John DeFrancesco & Gerald Veasley.

 

 

 

 

 

Rick Lawn (baritone sax, clarinet, bass clarinet) Grants from the National Endowment of the Arts have supported his work as a composer, and as a member of the Nova Saxophone Quartet he has recorded on the Musical Heritage Society, Crystal and Equilibrium labels. The Sea Breeze record label issued “Unknown Soldiers,” a CD recorded by the Third Coast Jazz Orchestra featuring his compositions and arrangements. Kendor, CL Barnhouse, Walrus, Concept Music, Alfred, Dorn, and UNC Press music among others publish his compositions. Rick’s books entitled The Jazz Ensemble Directors Manual, Jazz Theory and Practice, and Experiencing Jazz have become staples among jazz educators and students. Selmer has sponsored his clinics, performances guest conducting appearances in 12 states. Rick contributes most of the compositions and arrangements to Power of Ten’s book. He has performed with Joe Williams, Diane Schuur, Natalie Cole, Marian McPartland, Chuck Mangione, Lionel Hampton, Mel Torme, Bernadette Peters, The Four Tops, The Temptations, Austin Symphony, Houston Lyric Opera Company and the Rochester Philharmonic to mention a few.

 

 

 

 

 

 

 

Matt Gallagher (trumpet & flugelhorn) Matt Gallagher is enjoying a career as one of the most sought after lead trumpet players in Philadelphia, PA and on the east coast. Gallagher earned his undergraduate degree in Music Education from West Chester University in 1997 and earned a Master of Music degree in Jazz Studies from the University of the Arts in 2001. Matt is a Yamaha Performing Artist and plays Yamaha instruments exclusively. Matt is the prototypical lead trumpet player with extensive credits with professional bands and orchestras up and down the east coast. He has performed with several Broadway show productions, orchestras, and artists including The Philadelphia Orchestra, The Boston Symphony, The Baltimore Symphony, Peter Nero and the Philly Pops, Diana Krall, Hugh Jackman, Michael Buble, Aretha Franklin, Barry Manilow, Randy Brecker, The Temptations, The Four Tops, Lou Rawls, Bernadette Peters, The O’Jays, The Stylistics, Harold Melvin’s Blue Notes, Teddy Pendergrass, and many Matt is currently the principal trumpet player for The Philly Pops and has been a featured lead trumpet player with The Philadelphia Orchestra. In addition, Matt is a studio lead trumpet player at NFL Films in Mt. Laurel, NJ, and has recorded for Celine Dion, Jennifer Lopez, R. Kelly, Jennifer Hudson, and LL Cool J. In 2010, Matt formed The Philly Big Band where he is featured as both a soloist and lead trumpet player. Matt is equally committed to both performing and teaching. Matt is the chair ofthe trumpet department, “Z” Big Band director, and music education professor at TheUniversity of the Arts in Philadelphia, PA.

George Rabbai (trumpet & flugelhorn) George Rabbai’s first national recognition as a trumpeter came when he joined the Woody Herman Orchestra, touring as a jazz soloist. During his two-year stay, Rabbai performed at jazz festivals and concert halls throughout the United States and abroad, and recorded with Herman on the Concord and Toshiba EMI labels. His unique style of scat singing prompted Herman to reinstate and rerecord the classic arrangement of the big band bebop hit of the 1940’s Lemon Drop as a vocal and trumpet feature. Lemon Drop is also the title of his premier CD, released in 1997, on DBK Records. George’s next CD with DBK, called “In Good Company” was released the following year. His most recent CD is entitled “Muted BeBop” on the Dreambox Media Label.

After touring with the Woody Herman orchestra, Rabbai was selected as part of the Woody Herman All-Star small group, performing with artists like Sal Nistico, Jake Hannah, Nat Pierce, George Duvivier, Scott Hamilton and famous Count Basie tenorman Frank Wess. He has also performed as a soloist with the Concord Jazz All-Stars. As a leader, George has recorded with jazz greats Hank Jones, Rufus Reid and Mel Lewis for the Naxos label. George’s lyrical trumpet sound is featured in the soundtrack of Baseball, a film by Ken Burns, which first aired nationally on PBS in 1994. He can also be heard in Burns’ epic documentary The West.

Rabbai worked for several years as a soloist behind vocalist Rosemary Clooney, and is featured on her “Demi-Centennial: A Girl Singer’s Golden Anniversary” television special for the Arts and Entertainment network. Most recently George has been working with vocalist Michael Feinstein and is featured jazz soloist on Feinstein’s double CD, “Romance on Broadway and Romance on Film.” George has also recorded with Margaret Whiting and was featured with Tony Bennett on his television special, “Tony Bennett With Love.”

Admired for his tone, phrasing and swinging style, Rabbai infuses his performances with humor and personality. From his exuberant scat vocals to his warm flugelhorn and wide array of assorted mutes, George’s musical colors fill the complete spectrum of jazz. His performing engagements have included Carnegie Hall, Boston Symphony Hall and the Famed Rainbow Room, as well as European jazz festivals, New York City’s St. Regis Hotel and many East Coast jazz clubs. An active jazz performer and educator, he is currently on the faculties of Philadelphia’s University of the Arts and The Maynard Ferguson Institute of Jazz at Rowan University in Glassboro New Jersey. He makes frequent appearances at area schools as a jazz clinician, festival adjudicator and featured artist. George is also active as a soloist/clinician for the South Jersey regional band and orchestra associations.

Recently featured as soloist on the 2015 release CD of Tony Bennett and Lady Gaga Collaboration album, George can also be heard on the new recording “Cheek To Cheek and is featured soloist on Debbie Boone’s latest CD “Swing released in 2013.

George is equally at home in the classical trumpet world as well .as the jazz trumpet world. He is currently a permanent member of the Philadelphia Pops Orchestra and performs at the Kimmel Center on Philadelphia under the direction of Michael Kasewski. His other orchestral duties are as Co principal trumpet with the Bay Atlantic Symphony Orchestra under the direction of Jed Gaylin. George was principal trumpet for the Strathmere Festival an Orchestra made up of New York’s finest freelance orchestral musicians in 2014 -15. In the fall of 2014 Mr. Rabbai was a featured soloist with The Strathmere Festival Orchestra where he performed the Haydn Eb Concerto for Trumpet. He is also principal trumpet with the Bel Canto Opera Orchestra under the direction of Salvatore Scarpa. George is a member of the Rowan Faculty Brass Quintet in residence at Rowan University and is a regular substitute with the Philadelphia Opera Company Orchestra and the Pennsylvania Ballet Orchestra…

Randy Kapralick (trombone)  Randy received his Bachelor’s in Studio Music & Jazz Performance from the University and has Randy toured the US with the Four Tops, the Temptations, the Spinners, Aretha Franklin, Frankie Valli, KC & The Sunshine Band and Mary Wilson. Randy has also had the chance to perform with Tito Puente, Wynton Marsalis,Jimmy Heath, Joe Henderson, Joe Lovano, Gerry Mulligan, Dave Liebman, Maria Schneider, and Bill Watrous. In addition to the Power of Ten, Randy can currently be seen playing with a variety of exciting ensembles in Philadelphia including The Jazz Orchestra of Philadelphia, The Larry McKenna Jazz Orchestra, and Norman David & The Eleventet. Randy is the Coordinator of Ensembles and Chair of the Trombone Department at University of the Arts where he also teaches Jazz Improvisation, Jazz Theory, and Musicianship.

Mike Kennedy (guitar) has studied with, among others, Jimmy Bruno, Larry McKenna, Bob DiNardo, Joe Federico, and Allan Slutsky. Mike has been teaching guitar for over 17 years. Over the past few years, Mike has had the opportunity to perform with such renowned Philadelphia jazz musicians as Larry McKenna and John Swana and has also has performed with international pop artists such as Lou Rawls, Michael Feinstein, Bernadette Peters, and Elton John. With a sound based in the bebop tradition, yet with a definite modern presence, Mike collected a series of ten tunes for his first self-produced jazz CD, Quartet No. 1, which was released in late 2002. The album received exceptional reviews that praise both the compositions and the musicians. The CD has had airplay in the Philadelphia area, as well as overseas.

 

Tony Miceli (vibes) has performed throughout Germany, Holland, Belgium and England with Mallet Madness. Closer to home, he performs as a leader or sideman in countless jazz clubs and concert halls including: Verizon Hall at The Kimmel Center for the Performing Arts, Zanzibar Blue, World Cafe Live, Ortlieb’s Jazzhaus, Chris’s Jazz Cafe, the Painted Bride and the Philadelphia Museum of Art. Recordings include a self-titled compilation CD; Looking East with the Philly 5; On a Sweet Note, Gerald Veasley and the Electric Mingus Project; Band Shapes with French pianist Olivier Hutman; Monkadelphia; Music From the Inside Out, a companion CD for the new documentary showcasing The Philadelphia Orchestra; and three upcoming CD’s: with Concord Jazz recording artist and guitarist, Jimmy Bruno; with Adam Unsworth, French hornist with The Philadelphia Orchestra and a BMG tribute album to Luther Vandross. In addition to leading his own ensembles, Miceli has performed with Dave Liebman, Ken Peplowski, John Blake, John Swana, Joe Magnarelli, Steve Slagle and others.

Bassist Kevin MacConnell has enjoyed a busy and varied career since moving to Philadelphia in 1982. He has performed with jazz greats Mel Torme, Nancy Wilson, Joe Williams, and has performed and recorded with tenor saxophonist Ernie Watts. He is equally at home in the classical venues as well, having performed with the Philadelphia Orchestra, Philly Pops and numerous small chamber ensembles. Kevin has performed in numerous “pit” ensembles for performances of “Floyd Collins”, “Candide”, “Ain’t Nothin’ But the Blues” and “Chasing Nicolette” to name a few. He has also shared the stage with James Naughton and Faith Prince and of course Paula West.
Kevin has worked extensively with tenor saxophonist, Larry McKenna and is featured on Larry’s latest release “Profile” which has received critical acclaim across the U.S. Kevin studied at West Chester State College in the mid-seventies and has studied privately with bassist Domenick Fiore and new york based jazz pianist Sal Mosca (a Lennie Tristano protege’).

 

 

 Tom Lawton studied in Philadelphia with renowned pianist Bernard Peiffer, who had emigrated here from France. After Bernard’s death, Tom began a long association with the late bassist Al Stauffer, who had accompanied Peiffer for several years. Tom and Al were once among Philly’s most visible proponents of free improvisation and were often seen at the Painted Bride and Khyber Pass back when those venues still supported the style. In ensuing years, they were seen playing more subdued (but no less creative) jazz styles at the Fountain Lounge at the Four Seasons Hotel. Tom now just subs at the Four Seasons, but can be seen frequently at Chris’ Jazz Cafe. He teaches at Bucks Community College, Temple University and the University of the Arts. Tom is considered by many to be one of Philadelphia’s brightest undiscovered talents. His playing is awe-inspiring and he defines “two handed” piano playing.

Erik Johnson has been a performing musician and composer in Philadelphia for the past 20 years. He was a member of the acclaimed Interscope Records act “Huffamoose” during the 1990’s, touring extensively and performing on many television and radio shows including “Late Night With Conan O’Brien.” Since 1998, Erik has been focusing on an original rock music project, “The Fractals,” with former members of Huffamoose Jim Stager and Kevin Hanson (The Roots, Jay-Z, many others) as well as returning to his jazz roots. From 1998 through 2003 he was a member of Ben Schachter’s “Trio of Many” during which time he recorded with Tim Hagans, Jef Lee Johnson, Gary Bartz and others. Erik has performed with John Swana, Larry McKenna, George Garzone, Jack Walrath, and many other jazz luminaries.

 

 

 

 

 

 

 

 

Mark Allen (baritone sax, clarinet & bass clarinet) Mark currently holds a Senior Lecturer position at the University of the Arts where he teaches saxophone, jazz history, and improvisation. He has had the privilege of studying with Joel Frahm, Ben Schachter, Chris Farr, and Ron Kerber. In addition to co-leading several ensembles, Mark is an active member of The Philly Pops, The Norman David Eleventet, the Jazz Orchestra of Philadelphia, and several other Philadelphia/New York ensembles. He has shared the stage and/or recorded with luminaries such as George Garzone, Marcus Belgrave, Wycliffe Gordon, Dick Oatts, Orrin Evans, R Kelly, Lady Gaga, and Tony Bennett, among others. Mark is also active in the Philadelphia theater scene as a woodwind player, performing on saxophones, flutes, and clarinets. http://mrallenmusic.com/

Retrospect (10 piece)

This moody soprano sax feature also features your pianist. It is also available on this site as a full big band chart. Recorded by Power of Ten on their CD Earth Tones, it is predominantly a ballad in 3/4 & 9/8, its haunting and introspective qualities yield to a short double-time chorus that also serves as a surprise intro. Lush harmonies and woodwind/horn counter-lines abound. Sax doubles. Two French horn parts are optional and cued in the saxophones.

Instrumentation:alt dbl fl, tenor dbl sop., bari dbl bass clar., 2-trumpets dbl flugel, trombone, vibes (opt), guitar, piano, bass, drums
Grade Level: Difficult

Score

Download Score

Play Demo [audio:http://ricklawn.com/wp-content/uploads/2011/11/Retrospect-excerpt.mp3]

Now Available from eJazzLines for $35.15

Hopscotch (10 piece)

One of my more recent compositions, this one is also available here for full big band for big band (5/4/4/4. This chart is a tour de force for baritone soloist and was written for the emerging talent Mark Allen who is featured on the Power of Ten Earth Tones CD. While the saxophone parts are challenging, brass parts are reasonable as are rhythm except for piano that has some difficult octave unison written solo lines.

Instrumentation: alto, tenor, bari, 2-trumpets, trombone, piano, vibes (opt.), guitar, bass & drums
Grade Level: Difficult

A Rick Lawn.Com Exclusive!

Score

Download Score

Play DemoHopscotch

NOW AVAILABLE FROM eJazzLines 

Rapsodie for Saxophone (arr. for quartet)

Greg Knapp’s stunning transcription and arrangement of Claude Debussy’s work composed for saxophone soloist and orchestra is far more exciting than the original, often criticized as an uninspired effort. This arrangement was informed by original orchestral recordings and the unorchestrated piano/soloist score. The orchestral reduction that includes significant soloist passages pushes the skills of the quartet to its limits both technically and musically. The work was recorded by the Nova Saxophone Quartet on their InNOVAtions recording available in digital download format from Cd Baby.

Instrumentation: SATB
Grade Level: Difficult

A RickLawn.Com Exclusive!!

Buy now for $40.00

(misc-008) This arrangement will hopefully be available soon in manuscript form.


Donna Lee

Featuring a Super Sax style sax soli based on Charlie Parker’s classic improvised solo, this chart is a challenging crowd pleaser and worth the effort. A piano/guitar solo is also featured. A slightly modified version to feature saxophonist Tony Campisi was recorded by the Third Coast Jazz Orchestra on “Unknown Soldiers” (Sea Breeze label)

Instrumentation: 5/4/4/4
Grade Level: Difficult

 

Play Demo donna-lee
(recording is the Kendor Music demo not the recording by the Third Coast Jazz Orchestra)

Rights for his arrangement are in limbo at this time. Check back later.

Unknown Soldiers – 3rd Coast Jazz Orchestra

Rick Lawn assembled a stellar cast of the finest musicians in Austin, Texas to present a 74 minute set of his original compositions and arrangements for jazz orchestra. Soloists featured include among others ex-Stan Kenton saxophonist Tony Campise, trumpeter Bob Meyer, Enja recording artist Mitch Watkins, View Point recording artist John Fremgen and Elias Haslanger, formerly with Maynard Ferguson. All arrangements are available from eJazzLines and the CD can be purchased from CD Baby. This recording features the “straight ahead” version of the same arrangement of “Donna Lee” included on Bobby Sanabria’s double Grammy nominated live recording Live and in Clave on the Arabesque label. Learn More>>

unknown_soldiers

 

 

BUY NOW 

in MP3 format

Outside the Box – Nova Saxophone Quartet

outside-the-box

Outside the Box, Nova’s most recent CD was released on the Equilibrium label and features new works by Rick Lawn (Three Sketches for Saxophone Quartet) and Mike Titlebaum as well as classic works arranged for quartet ranging from J.S. Bach to Paul Hindemith, Russell Howland and Rudy Wiedoeft. In some cases the music featured on this recording can be purchased either from this web site or a commercial publisher. Links for music that can be purchased are included below.

Personnel: Douglas Skinner, Soprano; Richard Lawn, Alto; Gregory Wilson, Tenor, Joey Colarusso, Baritone


TRACKS

1. Russell Howland:

Quartet No.

I. First Movement

II. Second Movement

III. Third Movement

2. J. S. Bach:

Contrapunctus VII

3. Mike Titlebaum:

Prelude and Wobbly Dance (beginning and ending excerpts)

4. Paul Hindemith (arr. G.W. Knapp):

Seven Interludes from Ludus Tonalis

I. Allegro pesante

II. Moderato – III. Molto tranquillo

IV. Scherzo

V. Pastorale

VI. Vivace

VII. Marcia

5. Rudy Wiedoeft (arr. Richard Lawn):

Sax-O-Doodle publication available as a Rick Lawn.com Exclusive!!

6.Richard Lawn:

Three Sketches for Saxophone Quartet

I. Outside the Box

II. Old Friends

III. Mother Nature

Purchase from Amazon or Dorn.

Double Image – Nova Saxophone Quartet

This recording, the quartet’s third and second initially released on the Musical Heritage Society, is now available exclusively from this web site! A number of titles on this recording are being offered for sale in the misc. music section of this web site. Scores and parts available here for purchase will be cross linked to the sample recordings that follow. Thanks for listening!

double-image-cover-final

Personnel: Douglas Skinner, Alto and Soprano; Richard Lawn, Alto and Yamaha WX-7; Gregory Wilson, Tenor; James Warth, Baritone

TRACKS

1. G.W. Knapp:

Quartet in C Minor

I. Introduction and Allegro knapp1-clip

II. Sostenuto knapp2-clip

III. Scherzo knapp3-clip

IV. Rondo Pastorale knapp4-clip

2. Richard Willis:

Tetralogue

I. Fantasia willistetralogue1-clip

II. Scherzino willistetrlogue3-clip

III. Arioso willistetralogue2-clip

IV. Corrente willistetralogue4-clip

3. Hoagy Carmichael/Bix Beiderbeck (arr. Don Elam):

Riverboat Shuffle riverboatshuffle-clip

4. Jelly Roll Morton (arr. Rick Lawn):

Black Bottom Stomp blackbottom-clip

5. Charlie Parker (Miles Davis):

Donna Lee donnalee-clip

6. Rick Lawn

Newk Meets the President newkprez-clip

We’ve decided to cut our overhead and save us both money by making this available right from this website. You can order the entire recording as downloadable MP3 files.

Buy for $10

Until further notice you will need to email me to purchase scores and parts from this recording. Only tracks 3 – 6 are available from rjlawn at gmail dot com

InNOVAtions – Nova Saxophone Quartet

This is the second recording by the Nova Quartet with new personnel and Rick Lawn as the only constant, moving from soprano to alto. This may be the best recording available of Phil Woods first quartet especially since it includes the optional improvised extension to the first movement. The recording was first issued by the Musical Heritage with limited distribution. Rights have been reassigned to Nova and Rick Lawn so this music can once again be made available.We hope to eventually make the original manuscript version of Greg Knapp’s demanding arrangement of Debussy’s “Rapsodie,” originally composed for solo alto saxophone and orchestra. Some share the opinion that this original commission was never a great piece. Others may agree that this version for quartet is actually superior in making full use of the quartet to cover all solo and orchestral passages. This amazing work can be purchased in score and parts from this site.

innovations-cover

Personnel: Douglas Skinner, soprano; Richard Lawn, alto; Gregory Wilson, tenor; James Warth, baritone

Tracks

1. Douglas Walter:

Saxophone Quartet No.1

I. Quintalism walter1-clip

II. Transition walter2-clip

III. Finale walter3-clip

2. Eddie Sauter:

Saxophone Quartet No. 1 (“Q.T.”) sauter-clip

3. Seymour Barab:

Quartet for Saxophones

I. Allegro moderato barab1-clip

II. Non-expressivo barab2-clip

III. Presto barab3-clip

4. Claude Debussy (trans. & arr. G.W. Knapp):

Rapsodie for Saxophone and Orchestra debussyintroend

5. Phil Woods:

Three Improvisations for Saxophone Quartet

I. woods1-clip

II. woods2-clip

II. woods3-clip

We’ve decided to cut our overhead and save us both money by making this available right from this website. You can order the entire recording as downloadable MP3 files.

Buy for $10